LONDON – Lola Young has released her latest single, “From Down Here”, a collaborative effort with James Blake, marking her first new music since 2025’s acclaimed album, I’m Only F**king Myself.
Released today, May 22, 2026, “From Down Here” arrives via Island Records, showcasing Lola Young’s continued artistic trajectory following her previous full-length, I’m Only F**king Myself. The London-based singer-songwriter collaborated with James Blake on the track, a significant pairing that underscores the single’s introspective depth. This release initiates a new chapter for Young, who is also set to embark on a UK headline tour this summer, concluding with two nights at London’s O2 Academy Brixton in June.
Beyond her domestic engagements, Young will extend her live performances to the United States, with confirmed appearances at the All Things Go Festival in Columbia, MD, on September 27, and later at Austin City Limits in October. These dates follow her 2025 onstage collapse at All Things Go, which prompted a hiatus. Young returns to the festival with a declaration of “unfinished business,” signalling a period of personal and creative renewal as she re-engages with her audience globally.
A Candid Exploration of Self-Reinvention and the Weight of Transition
Lola Young’s “From Down Here” plunges listeners into the disorienting emotional landscape that follows a significant personal shift, marking a profound new chapter for the artist. Released on May 22, 2026, and built in collaboration with James Blake, the track emerges as Young’s first offering since her 2025 album, I’m Only F**king Myself. It candidly explores the ‘quiet grief’ of leaving a chaotic past for a healthier, albeit less thrilling, path, a sentiment elaborated further in this full analysis of the track “From Down Here” by Lola Young.
The core of “From Down Here” lies in its raw portrayal of missing a former self that, despite its recklessness, offered a certain kind of ‘high’. Young herself revealed the song’s genesis, stating, “The day after the GRAMMYs, I had a wave of inspiration hit me, so I got in the studio with the incredible James Blake and made this song. I am rewriting the next chapter of my story because what a boring book the old one would’ve been anyway.” This powerfully frames the song as a deliberate act of rewriting her narrative, acknowledging the necessity of moving forward while processing emotional residue.
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